Die Creative Emmys sind nun draussen und hier ist das Ergebnis:


Actor and comedian George Lopez hosted the 57th Annual Creative Arts Emmy Awards, where HBO topped the list of winners with 20 golden statuettes. Among broadcast networks, ABC led the field with 10 awards, and PBS followed closely with nine.

Presenters at the ceremony, which was held at the Shrine Auditorium in Los Angeles, included actors Will Arnett (Arrested Development), Zach Braff (Scrubs), James Callis (Battlestar Gallactica), Sarah Chalke (Scrubs) Kristin Chenoweth (West Wing), Blythe Danner (Back When They Were Grownups; Huff; Will & Grace), Victor Garber (Alias), Jennifer Garner (Alias), Tricia Helfer (Battlestar Gallactica), Charlotte Jorgensen (Dancing with Stars), Julian McMahon (Nip/Tuck), Ian McShane (Deadwood), Sandra Oh (Grey’s Anatomy), John O’Hurley (Dancing with Stars), CCH Pounder (The Shield), Joely Richardson (Nip/Tuck), Geoffrey Rush (The Life & Death of Peter Sellers), Tony Shalhoub (Monk) and Dylan Walsh (Nip/Tuck).

Lewis’ award, which was accompanied by a standing ovation, featured a videotape retrospective of his many decades of muscular dystrophy telethons, including appearances by Milton Berle, Frank Sinatra, Dean Martin and, of course, many of the children with neuromuscular diseases whose prospects have been so greatly improved by Lewis’ tireless fundraising efforts.

“It’s a strange feeling getting a commendation for something your heart tells you that you must do,” said Lewis, who noted with pride that donations to the Muscular Dystrophy Association recently surpassed the $2 billion mark. “I have been accused of being so selfless,” the 79-year-old comedy legend continued. “But I have to correct that. I am probably the most selfish man you will ever meet. No one gets the satisfaction or joy that I get from kids who realize there is hope.”

In addition to numerous light moments, such as when fitness icon Jack LaLanne took the stage and led the crowd in an impromptu exercise routine, the show featured a great deal of emotion as well.

Perhaps the most poignant moments were the speeches of Sophie Williams, who accepted two awards—Outstanding Cinematography for Nonfiction Programming (Single or Multi-Camera) and Outstanding Directing for Nonfiction Programming—on behalf of her late husband, British filmmaker James Miller, who received the awards for his work on Death in Gaza, a harrowing HBO documentary about the Israeli-Palestinian conflict, which he was filming when he died. In a halting voice, Miller’s widow informed the audience that on May 2, 2003, her husband was shot and killed by an Israeli soldier while making the project.

“James felt that the role of the director was to stand back and let the story tell itself, but he became a part of this story,” said Sophie Williams, who added that the soldier who killed her husband went free in April of this year. “We are immensely proud of him.”

A few moments later, James Miller was honored with a third award, for Exceptional Merit in Nonfiction Filmmaking, which was accepted by his sister, Katie, who said that it was fitting that her late brother had won three Emmys—one for Sophie, and one for each of their two children.

In addition to honors for animation, variety series and many technical categories, which included picture editing, sound editing, sound mixing, special visual effects, cinematography and art direction, four acting awards were handed out. Outstanding Guest Actress in a Drama Series went to Amanda Plummer for Law & Order: Special Victims Unit; Outstanding Guest Actress in a Comedy Series went to Kathryn Joosten for Desperate Housewives; Outstanding Guest Actor in a Drama Series went to Ray Liotta for ER; and Outstanding Guest Actor in a Comedy Series went to Bobby Cannavale for Will & Grace.

Among the acting winners, only Joosten, who is also a governor in the Television Academy’s Performers Peer Group, was on hand to accept her award. In an amusing and touching speech, Joosten said she would like to exhume her late ex-husband, who was not supportive of her decision to pursue a professional acting career in middle age, to show him the extent to which her efforts had borne fruit. She then thanked her two sons for their unflagging love and encouragement. Backstage, Joosten told reporters that winning an Emmy was “the top of the mountain. I started out twenty-some years ago in community theater; I played a stripper in Gypsy. So to be here with this [award] is the ultimate.”

HBO, which in recent years has had tremendous Emmy success, enjoyed more of the same this year. Six of its awards went to The Life and Death of Peter Sellers, the biopic starring Geoffrey Rush as the titular chameleonic British actor; five to the acclaimed Western series Deadwood; and three each to Warm Springs, the historical drama about President Franklin Delano Roosevelt’s struggle with polio, and to Death in Gaza. ABC’s 10 trophies included four each for its hit series Lost and Desperate Housewives.

Rounding out the winners after HBO, ABC and PBS were NBC with eight awards, Cartoon Network with seven, CBS with six and Fox with four. Nickelodeon and Showtime garnered two apiece, and A&E, Comedy Central, Discovery Channel and Hallmark each took home one.

Emmys.com

Bestes animiertes Programm (unter einer Stunde)

- «Family Guy» (FOX)
- «Samurai Jack» (Cartoon Network)
- «The Simpsons» (FOX)
- «South Park» (Comedy Central)
- «SpongeBob» (Nick)

Bestes animiertes Programm (über eine Stunde)

- «Dragons: A Fantasy Made Real» (Animal Planet)
- «Star Wars: Clone Wars» (Cartoon Network)

Beste künstlerische Leitung für eine Multikamera-Serie

- «George Lopez» (ABC)
- «That 70s Show» (FOX)
- «Two and a half Men» (Mein cooler Onkel Charlie) (CBS)
- «Will & Grace» (NBC)

Beste künstlerische Leitung für eine Singlekamera-Serie

- «Carnivale» (HBO)
- «Cold Case» (CBS)
- «Deadwood» (HBO)
- «Desperate Housewives» (ABC)
- «Six Feet Under» (HBO)

Beste künstlerische Leitung für eine Miniserie oder Film

- «Empire Falls» (HBO)
- «Faith of My Father» (A&E)
- «The Life And Death Of Peter Sellers» (HBO)
- «The Lost Prince» (PBS)
- «Warm Spings» (HBO)

Beste künstlerische Leitung für Event, Musik oder Sonstiges

- «77th Academy Awards» (ABC)
- «American Idol» (FOX)
- «First Invasion» (History Channel)
- «The 47th Grammy Awards» (CBS)
- «MADtv» (FOX)

Beste Besetzung für eine Comedy-Serie

- «Arrested Development» (FOX)
- «Desperate Housewives» (ABC)
- «Entourage» (HBO)
- «Scrubs» (NBC)
- «Will & Grace» (NBC)

Beste Besetzung für eine Drama-Serie

- «Deadwood» (HBO)
- «Grey’s Anatomy» (ABC)
- «House» (FOX)
- «Lost» (ABC)
- «Nip/Tuck» (FX)
- «24» (FOX)

Beste Besetzung für eine Miniserie, Film oder Special

- «Elvis» (CBS)
- «Empire Falls» (HBO)
- «Lackawanna Blues» (HBO)
- «The Life And Death Of Peter Sellers» (HBO)
- «Warm Springs» (HBO)

Beste Choreographie

- «A Christmal Carol» (NBC)
- «MADtv» (FOX)
- «2005 NAACP» (FOX)
- «Reefer Madness» (Showtime)
- «Smucker’s Stars On Ice 2005» (A&E)

Beste Kamera für eine Multikamera-Serie

- «Everbody Lovey Raymond» (Alle lieben Raymond) (CBS)
- «Hope & Faith» (ABC)
- «Reba» (TheWB)
- «Two and a half Men» (Mein cooler Onkel Charlie) (CBS)
- «Will & Grace» (NBC)

Beste Kamera für eine Singlekamera-Serie

- «Carnivale» für “The Road to Damascus” (HBO)
- «Carnivale» für “Lincoln Highway” (HBO)
- «Deadwood» (HBO)
- «Six Feet Under» (HBO)
- «24» (FOX)

Beste Kamera für eine Miniserie oder Film

- «Faith Of My Fathers» (A&E)
- «The 4400» (USA)
- «The Life And Death Of Peter Sellers» (HBO)
- «Mitch Albom’s The Five People You Meet In Heaven» (ABC)
- «Warm Springs» (HBO)

Beste Kamera für ein non-fiktionelles Programm

- «The Amazing Race» (CBS)
- «The Contender» (NBC)
- «Death In Gaza» (HBO)
- «Living with Wolves» (Discovery Channel)
- «Survivor: Palau» (CBS)

Beste Werbung

- «Applause» (Budweiser)
- «Drink Up» (Aquafina)
- «Glen» (Starbucks Doubleshot)
- «The One Campaign» (One.org)
- «Surprise Dinner» (Ameriquest Mortgage)

Beste Kostüme für eine Serie

- «ALIAS» (ABC)
- «Carnivale» (HBO)
- «Deadwood» (HBO)
- «Desperate Housewives» (ABC)
- «Six Feet Under» (HBO)

Beste Kostüme für eine Miniserie, Film oder Special

- «Conquest Of America» (The History Channel)
- «Elvis» (CBS)
- «The Life And Death Of Peter Sellers» (HBO)
- «The Lost Prince» (PBS)
- «Warm Springs» (HBO)

Beste Regie für ein nonfiktionales Programm

- «American Idol» (FOX)
- «The Apprentice» (NBC)
- «Death In Gaza» (HBO)
- «Extreme Makeover: Home Edition» (ABC)
- «Unforgivable Blackness: The Rise And Fall Of Jack Johnson» (CBS)

Beste Singlekamera-Bildbearbeitung für eine Dramaserie

- «Deadwood» (HBO)
- «Lost» (ABC)
- «24» für “06.00 – 07.00” (FOX)
- «24» für “07.00 – 08.00” (FOX)
- «24» für “19.00 – 20.00“ (FOX)

Beste Singlekamera-Bildbearbeitung für eine Comedyserie

- «Arrested Development» für „Mother Boy XXX“ (FOX)
- «Arrested Development» für “Let Em Eat Cake” (FOX)
- «Arrested Development» für “Good Grief” (FOX)
- «Desperate Housewives» für “Pilot” (ABC)
- «Desperate Housewives» für “Pretty Little Picture” (ABC)

Beste Singlekamera-Bildbearbeitung für eine Miniserie oder Film

- «Black When We Were Grownups» (CBS)
- «Empire Falls» (HBO)
- «Faith Of My Fathers» (A&E)
- «The Life And Death Of Peter Sellers» (HBO)
- «The Wool Cap» (TNT)

Beste Multikamera-Bildbearbeitung für eine Serie

- «Everbody Loves Raymond» (CBS)
- «Scrubs» (NBC)
- «That 70s Show» (FOX)
- «Two and a half Men» (Mein cooler Onkel Charlie) (CBS)
- «Will & Grace» (NBC)

Beste Multikamera-Bildbearbeitung für ein Special

- «77th Academy Awards» (ABC)
- «Dave Chappelle: For What It’s Worth» (Showtime)
- «Eric Clapton Crossroads Guitar Festival» (PBS)
- «The Games Of The XXVIII Olympiad - Opening» (NBC)
- «Tracy Ullmann Live & Exposed» (HBO)

Beste Bildbearbeitung für eine nichtfiktionales Programm

- «The Amazing Race» (CBS)
- «The Apprentice» (NBC)
- «The Contender» (NBC)
- «Survivor» (CBS)
- «Survivor» (CBS)

Beste Frisuren einer Serie

- «ALIAS» (ABC)
- «American Dreams» (NBC)
- «Carnivale» (HBO)
- «Deadwood» (HBO)
- «MadTV» (FOX)
- «Stark Trek: Enterprise» (UPN)

Beste Frisuren für eine Miniserie, Film oder Special

- «Lackawanna Blues» (HBO)
- «The Life And Death Of Peter Sellers» (HBO)
- «Their Eyes Were Watching God» (ABC)
- «Tracy Ullman Live & Exposed» (HBO)
- «Warm Springs» (HBO)

Beste Licht-Leitung für VMC-Programm

- «77th Academy Awards» (ABC)
- «American Idol» (FOX)
- «Eric Clapton Crossroads Guitar Festival» (PBS)
- «The Games Of The XXVIII Olympiad» (NBC)
- «Late Show With David Letterman» (CBS)

Bestes Main Title-Design

- «Desperate Housewives» (ABC)
- «The Grid» (TNT)
- «House» (FOX)
- «Huff» (Showtime)
- «The Life And Death Of Peter Sellers» (HBO)

Bestes Makeup für eine Serie (Ohne Prothesen)

- «Carnivale» (HBO)
- «CSI» (CBS)
- «Deadwood» (HBO)
- «MADtv» (FOX)
- «Nip/Tuck» (FX)

Bestes Makeup für eine Miniserie, Film oder Special (Ohne Prothesen)

- «Frankenstein» (Hallmark/RTL)
- «Lackawanna Blues» (HBO)
- «Reefer Madness» (Showtime)
- «Relevations» (NBC)
- «Warm Springs» (HBO)

Beste Prothesen für eine Serie, Miniserie, Film oder Special

- «Carnivale» (HBO)
- «The Life And Death Of Peter Sellers» (HBO)
- «MADtv» (FOX)
- «Nip/Tuck» (FX)
- «Star Trek: Enterprise» (UPN)

Beste Dramakomposition für eine Serie

- Jeff Beal für «Carnivale» (HBO)
- Christopher Hoag für «House» (FOX)
- Michael Giacchino für «Lost» (ABC)
- Alf Clausen für «The Simpsons» (FOX)
- Sean Callery für «24» (FOX)

Beste Dramakompostion für eine Miniserie, Movie oder Special

- Joseph Conlain für «Miracle Run» (Lifetime)
- George Fenton für «Pride» (A&E)
- Lisa Ferrad und Christopher Gordon für «Salem’s Lot» (TNT)
- Bruce Broughton für «Warm Springs» (HBO)

Beste Musik-Leitung

- «Broadway: The American Musical» (PBS)
- «A Christmal Carol» (NBC)
- «Christmas in Washington» (TNT)
- «Genius: A Night For Ray Charles» (CBS)
- «The Little Prince» (PBS)

Beste Musik und Text

- «Malcolm in the Middle» (Malcolm mittendrin) (FOX)
- «The Muppets’ Wizard of Oz» (ABC)
- «Reefer Madness» (Showtime)
- «The Simpsons» (FOX)
- «Terror at Home» (Lifetime)

Beste Titelmusik

- Danny Elfman für «Desperate Housewives» (ABC)
- James L. Venable für «Forster’s Home For Imaginary Friends» (Cartoon Network)
- W.G. “Snuffy” Waldan für «Huff» (Showtime)
- Michael McCuistion für «Justice League Unlimited» (Cartoon Network)
- Joel Goldsmith für «Stargate: Atlantis» (SciFi)

Bester Gastschauspieler in einer Comedyserie

- Fred Willard für «Everybody Loves Raymond» (CBS)
- Victor Garber für «Will & Grace» (NBC)
- Jeff Goldblum für «Will & Grace» (NBC)
- Bobby Cannavale für «Will & Grace» (NBC)
- Alec Baldwin für «Will & Grace» (NBC)

Bester Gastschauspieler in einer Dramaserie

- Red Button für «Emergency Room» (NBC)
- Ray Liotta für «Emergency Room» (NBC)
- Ossie Davis für «The L Word» (Showtime)
- Charles During für «NCIS» (CBS)
- Martin Landau für «Without a Trace» (CBS)

Beste Gastschauspielerin in einer Comedyserie

- Kathryn Joosten für «Desperate Housewives» (ABC)
- Lupe Ontiveros für «Desperate Housewives» (ABC)
- Georgia Engel für «Everybody Loves Raymond» (CBS)
- Cloris Leachman für «Malcolm in the Middle» (FOX)
- Blythe Danner für «Will & Grace» (NBC)

Beste Gastschauspielerin in einer Dramaserie

- Swoosie Kurtz für «Huff» (Showtime)
- Cloris Leachman für «Joan of Arcadia – Die himmlische Joan» (CBS)
- Amanda Plummer für «Law and Order: SVU» (NBC)
- Angela Lansbury für «Law and Order: SVU» und «Law and Order: Trial by Jury» (NBC)
- Jill Clayburgh für «Nip/Tuck» (FX)

Bestes Anderes, Musik- oder Comedy-Special

- «77th Academy Awards» (ABC)
- «Dave Chappelle: For What It’s Worth» (Showtime)
- «Everybody Loves Raymond» (CBS)
- «The Games Of The XXVIII Olympiad» (NBC)
- «58th Annual Tony Awards» (CBS)

Bestes spezielles Klassenprogramm

- «Agatha Christie’s Miss Marple» (PBS)
- «Jazz At Lincoln Center» (PBS)
- «Leonhard Bernstein’s Candide In Concert» (PBS)
- «Stephen Sondheim’s Passion» (PBS)

Bestes Kinderprogramm

- «Classical Baby» (HBO)
- «Nick News» (Nick)
- «Pride» (A&E)
- «That’s So Raven» (Disney Channel)
- «Zoey 101» (Nick)

Bestes nichtfiktionales Format

- «Beyond The Da Vinci Code» (The History Channel)
- «Cary Grand: A Class Apart» (TCM)
- «Inside The Actors Studio: 10. Anniversary Special» (Bravo)
- «Live From New York: The First Five Years Of Saturday Night Live» (NBC)
- «Unforgivable Blackness: The Rise And Fall of Jack Johnson» (PBS)

Bestes nichtfiktionale Serie

- «Biography» (A&E)
- «Broadway» (PBS)
- «Cold Case Files» (A&E)
- «Dinner For Five» (IFC)
- «Inside The Actors Studio» (Bravo)

Bestes Reality-Format

- «Antiques Roadshow» (PBS)
- «Extreme Makeover: Home Edition» (ABC)
- «Penn & Teller: Bullshit!» (Showtime)
- «Project Greenlight» (Bravo)
- «Queer Eye Fot The Straight Guy» (Bravo)


Bestes Drehbuch für ein nichtfiktionales Programm

- «Beyond The Da Vinci Code» (The History Channel)
- «Broadway» (PBS)
- «Death In Gaza» (HBO)
- «Penn & Teller: Bullshit!» (Showtime)
- «Unforgivable Blackness: The Rise And Fall of Jack Johnson» (PBS)

Bester Single-Kamera Soundmix für eine Serie

- «CSI» (CBS)
- «Deadwood» (HBO)
- «Lost» (ABC)
- «24» (FOX)
- «The West Wing» (NBC)

Bester Single-Kamera Soundmix für eine Miniserie oder Film

- «Faith Of My Fathers» (A&E)
- «Lackawanna Blues» (HBO)
- «The Life And Death of Peter Sellers» (HBO)
- «Warm Springs» (HBO)
- «The Wool Cap» (TNT)

Bester Multi-Kamera Soundmix für eine Serie oder Special

- «Everybody Loves Raymond» (CBS)
- «That 70s Show» (FOX)
- «Two and a half Men» (CBS)
- «Will & Grace» (NBC)

Bester Soundmix für etwas Anderes, eine Musikserie, Special oder Animation

- «77th Academy Awards» (ABC)
- «American Idol» (FOX)
- «Eric Clapton Croassroads Guitar Festival» (PBS)
- «Genius: A Night For Ray Charles» (CBS)
- «The 47th Grammy Awards» (CBS)

Bester Soundmix für ein nichtfiktionales Format

- «The Amazing Race» (CBS)
- «Americas Deadliest Season: Alaskan Crab Fishing» (Discovery Channel)
- «American Idol» (FOX)
- «Broadway» (PBS)
- «Survivor» (CBS)

Beste visuelle Effekte in einer Serie

- «Battlestar Galactica» (SciFi)
- «Battlestar Galactica» (SciFi)
- «Stargate: Atlantis» (SciFi)
- «Lost» (ABC)
- «Stargate» (SciFi)

Beste visuelle Effekte in einer Miniserie, Film oder Special

- «Dragons: A Fantasy Made Real» (Animal Planet/Sat.1)
- «Farscape: The Peacekkeper Wars» (SciFi)
- «Legend Of Eathsea» (Eathsea) (SciFi)
- «The Life and Death of Peter Sellers» (HBO)
- «Supervolcano» (Supervulkan) (Discovery Channel/BBC/ProSieben)

Beste Stunt-Koordination

- «ALIAS» (ABC)
- «Emergency Room» (NBC)
- «The Last Ride» (USA)
- «Star Trek: Enterprise» (UPN)
- «24» (FOX)

Beste technische Leitung und Kameraarbeit für eine Serie

- «Late Night With Conan O’Brien» (NBC)
- «Late Show With David Letterman» (CBS)
- «Saturday Night Live» (NBC)

Beste technische Leitung und Kameraarbeit für eine Miniserie, Film oder Special

- «77th Academy Awards» (ABC)
- «Eric Clapton Crossroads Guitar Festival» (PBS)
- «The Games Of The XXVIII Olympiad» (NBC)
- «Tsunami Aid: A Concert Of Hope» (NBC)
- «2004 MTV Video Music Awards» (MTV)

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